Category Archives: Uncategorized
Dave Van Ronk–DOWN IN WASHINGTON SQUARE
Rolling Stone calls Dave Van Ronk (1936-2002) a “Greenwich Village folk-blues-jazz institution.” He has recently had a resurgence in popularity as the inspiration for the title character of the Coen Brothers’ INSIDE LLEWYN DAVIS. This song, “St. James Infirmary” was originally on his 1959 album GAMBLER’S BLUES. Here is a 1997 performance of the song by Ronk, recently released in the 2013 retrospective album DOWN IN WASHINGTON SQUARE.
Source:
David Browne “Meet the Folk Singer who Inspired ‘Inside Llewyn Davis.” Rolling Stone 2013 http://www.rollingstone.com/music/news/meet-the-folk-singer-who-inspired-inside-llewyn-davis-20131202
“MacDougal Street Blues” on the album KEROUAC: KICKS JOY DARKNESS
Here is a track from the spoken word album inspired by Jack Kerouac entitled Kerouac: Kicks Joy Darkness, with Kerouac’s poetry set to music by Joe Strummer.
Lenny Bruce–All Alone
An idea for possible pre-show performances that kind of ties in with Jacques’ story with the Lady in Red.
The Living Theatre and Jazz
In 1959, The Living Theatre staged THE CONNECTION–a play about jazz musicians and heroin addition. Hear Julian Beck and Judith Malina talk about the show and watch clips from the film version!
“A Look at a Relic from the City’s Nuclear Past: Fallout Shelters”
Merce Cunningham
Born in 1919 and still dancing at 90 in 2009 when he died, Merce Cunningham changed the face of abstract and modern dance. He began choreographing in 1943, and didn’t stop until 2009, just months before his death. He became a dancer of the Beat Generation; instead of evoking change through literature, he did it through dance. Merce established the concept of “choreography by chance” with which he would randomly select the movements to be used in his various works. He also freed his choreography of any concept of cause and effect, storyline, and emotional or psychological connection. He believed the movement should be free of the music, and his dancers sometimes didn’t hear the score until the dress rehearsal or the first performance. Cunningham freed dance of many things and focused on the movements themselves. His dancers weren’t pretending to be anything but themselves. He once said, “you are not necessarily at your best, but at your most human.” (PBS).
~Kendall Reasons
Sources: http://www.pbs.org/wnet/americanmasters/episodes/merce-cunningham/a-lifetime-of-dance/566/
http://www.britannica.com/EBchecked/topic/146610/Merce-Cunningham
Image: https://www.artsjournal.com/tobias/2012/01/one-last-time.html
The Living Theatre (founded in 1946)
The Livings Theatre is an experimental theatre group that was founded by Judith Malina and Julian Beck. They are influenced by the writing of Antonin Artaud and their works often promote Anarchist and Pacifist thinking. Their 1959 production of THE CONNECTION, a play about jazz and heroin addiction, gained them national fame. Their most famous piece is arguably their 1968 piece PARADISE NOW. Click on the image to see an excerpt from this production.
Compilation of Songs from the Inside Llewyn Davis Soundtrack
Compilation of Songs from the Inside Llewyn Davis Soundtrack
Youtube users have attempted to cobble together the full album from separate posts!
Dave Van Ronk Covers “Both Sides Now”
Joni Mitchell has praised this cover of her famous song.